THE FEAST OF THE GOAT
By Mario Vargas Llosa
SPEER: THE FINAL VERDICT
By Joachim Fest
"Sometime we must probe more deeply the problem of complicity.
Is civilization possible without it?" - Robert Penn Warren
In 1945, an American officer interrogating the captured Nazi war criminal
Albert Speer finally broke down and challenged him to explain how he could live
with himself after all that he had done. "After a moment of embarrassed
silence," as Joachim Fest relates the story, Speer answered by saying that
the officer knew "nothing about life in a dictatorship, nothing of the
ever-present fear and nothing of the game of danger that also went with it;
above all he understood nothing about the charisma of a man such as
Hitler."
These two new books, a biography of Speer and a historical novel about the
Dominican Republic under Trujillo, try to come to an understanding of what Speer
meant by the charisma of tyrants, especially when experienced at close range, as
well as the moral effects of living under a dictatorship. In doing so, they both
examine the "problem of complicity."
The regimes of Hitler and Trujillo were, respectively, the cold and the hot
of twentieth-century dictatorships. Nazi Germany was a blend of primitive myth
and modernity, a dispassionate combination of twisted idealism and
industrialization. Insofar as it operated effectively at all, and most of the
time it didn’t, it turned evil into a matter of bureaucratic efficiency.
It was a contemporary of Speer’s who first drew attention to the way he
symbolized a type of individual becoming increasingly common in the modern
world: the epitome of the "managerial revolution," "the pure
technician" with a near total "lack of psychological and spiritual
ballast." According to Joachim Fest, Speer considered his moral
indifference to be justified both by his professional duties as the Third Reich’s
Armaments Minister as well as by the prevailing image of the artist as a genius
outside of bourgeois society and exempt from any human rule.
It was as an artist, specifically an architect, that Speer first came to
Hitler’s attention. Together they imagined building a perfectly inhuman
Germany. His architectural designs, especially for Berlin (or Germania, as it
was to be called), consisted mainly of plans for turning the places where people
lived and worked into colossal marble tombs. In his ignoring of human values there was a foreshadowing. The real question wasn't how much
Speer knew about Nazi war crimes, but whether he even cared.
Fest, who worked with Speer on his memoir of life inside the Third Reich, is,
as always, a perceptive and insightful observer. Rather than attempt to recreate
Speer’s life in detail he focuses his study on key issues such as how Speer
managed to organize the German economy so successfully, the extent of his
complicity and culpability for war crimes, and the nature of his personal
relationship with Hitler.
Hitler’s attraction to Speer has often been described as erotic, with one
observer even telling Speer that he was "Hitler’s unrequited love."
For Speer, Hitler’s favour clearly offered a way to satisfy his own powerful
ambition. But he also found the dictator a hypnotic figure, and it’s probably
fair to say he was a bit in love. Certainly his daring return to the Fuhrer’s
bunker to say a final good-bye was a romantic gesture.
The strange magic Speer felt in Hitler’s presence is also testified to by
many of those who were close to Rafael Trujillo. Trujillo, popularly known as
the Goat, ruled the Dominican Republic from 1930 until his assassination in
1961. In The Feast of the Goat, Peruvian novelist Mario Vargas Llosa
presents a portrait of the tyrant as an old man, though not even a failing
prostate has dampened his appetites. Unlike the coolness of Hitler’s immediate
court, Trujillo’s inner circle was a red-hot circus of depravity, sadism,
lechery and greed.
As Hugh Trevor-Roper observed in The Last Days of Hitler, "the
competitive servility of a court is always odious; combined with eloquent
humbug, it is nauseating." In hindsight, Trujillo’s courtiers, like
Hitler’s, seem merely contemptible. And yet there is no denying the force of
personality so many of the people who knew them attributed to these dictators.
Here is Llosa describing one of Trujillo’s Generals approaching the great man:
He never allowed anyone to treat him with disrespect. But, like so many
officers, so many Dominicans, before Trujillo his valor and sense of honor
disappeared, and he was overcome by a paralysis of his reason and his muscles,
by servile obedience and reverence. He often had asked himself why the mere
presence of the Chief - his high-pitched voice and the fixity of his gaze - annihilated him morally.
Moral annihilation is the end of complicity in a dictatorship.
The Feast of the Goat is a difficult book. This is in part because of the
subject matter, especially when Llosa comes to describe the horrific torture of
Trujillo’s assassins. But it is also made difficult by the structure of the
narrative, which has three strands. The first, which is the only part of the
book that is wholly invented, deals with the return of Urania Cabral to the
Dominican Republic in the mid-1990s. 35 years earlier her father Agustin, a
disgraced ministers, offered her as a sacrifice to the Goat in an attempt to
regain his place in Trujillo’s entourage. The second story line follows
Trujillo himself on the day of his assassination, while the third tells the
story of his assassins.
Such a complex narrative makes it hard for the novel to pick up speed. Llosa’s
moral outrage, however, still packs a powerful punch.
Civilization, as Robert Penn Warren observed, involves complicity. This doesn’t
mean that good can come from a dictatorship - though there are always some who
like to point out the economic benefits of totalitarianism - but rather that a
civilization, or civil society, depends upon a structure of corporate or
co-operative effort. Totalitarianism, enforced by propaganda, intimidation and
fear, hi-jacks this structure, making every member of society complicit in its
crimes. As one of the characters in The Feast of the Goat puts it: Who
wasn’t a Trujillista during the Trujillo years?
Fest concludes by pointing out how the likes of Hitler and Trujillo will
always crop up again. They are simply forces of nature. It is their courtiers -
the managers, lackeys, propagandists, technocrats, and office-seekers - that are
"the product of a long process of civilization." And so we are always
unconsciously preparing the ground.
Notes:
Review first published January 19, 2002.
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