THE ANGEL OF DARKNESS
By Caleb Carr
WHEN SHE WAS BAD: VIOLENT WOMEN AND THE MYTH OF INNOCENCE
By Patricia Pearson
The old adage that truth is stranger than fiction has been demonstrated once
again in two new books dealing with the evil that women do.
The Angel of Darkness, like its prequel bestseller The Alienist,
is a detective story set in turn-of-the-century New York. The detective team
from the earlier novel, headed by eminent "alienist" (psychologist)
Dr. Kreizler, is here reassembled to investigate the abduction of a Spanish
diplomat's infant daughter.
The narrator is 13-year-old Stevie Taggart, a (somewhat) reformed street
urchin who lives with the doctor. The crime-solving team also includes a
pistol-packing proto-feminist, a pair of Jewish police detectives, a fallen
aristocrat reporter, and a piano-playing, brass-knuckled manservant. It is a
Dickensian oddball club, and their adventures take place in a recognizably
Dickensian world of dirty urban streets filled with gangs of street children.
The detail is impressive, as one might expect from an author who is both a
historian and a lifelong resident of the New York area. Much of the writing
seems done with one eye fixed on selling the film rights, but this simply has to
be expected in a bestseller today.
The villain of the piece, the titular Angel of Darkness, is a serial
baby-killer (and no, I'm not giving anything away). The very novelty of her
crime in a society that idolizes women as maternal and nurturing protects her
from suspicion and places her virtually above the law. Frustrated, Dr. Kreizler
is driven to exclaim: "The last time we worked together, we studied known
laws of psychology. This time, the biases of our society will force us to write
new ones."
The real life Angel of Darkness, whose story Carr admits drawing on, was
Marybeth Tinning, a psychopath from New York State who killed eight of her own
children. Tinning's story, along with many others, can be found in Patricia
Pearson's fascinating study of violent women: When She Was Bad.
Reading Pearson, one gets the sense that little has changed in either the
laws of psychology or the biases of society since the days of Dr. Kreizler.
Drawing on a wealth of research, Pearson shows how violent women today are still
seen as special cases, whose brutal crimes are all too often excused by dubious
psychology and social denial (the myth of innocence).
Since there is no single kind of violent woman, Pearson breaks the subject
down by victim, including women who kill babies, women who abuse and/or kill
their spouses, and predator women who kill strangers. It is disturbing reading,
and even "true crime" veterans may be in for a shock.
On the dustjacket the books is described as "certain to be
controversial, guaranteed to infuriate." That may be an understatement.
Pearson asks feminists to stop trying to incorporate female violence into a
"victim-feminist heroic" and start talking about personal
responsibility. She is not afraid to question such excuses for women's violence
as hormonal imbalance, postpartum depression, battered woman's syndrome, and
(that catch-all evil) the "patriarchal society."
In addition, she is severely critical of a justice system that exonerates
figures such as Karla Homolka, and a media that makes serial killers like Aileen
Wuornos into heroes.
The point When She Was Bad ends up making is the same one made by most
common-sense discussions of the subject. Despite social inequality and a culture
that continues to exploit differences between the sexes (Men are from Mars,
Women are from Venus, etc.), the fact is that men and women are in most
important ways the same. Violence, like love or hate, ambition or greed, is
"a human rather than gendered phenomenon."
That is a conclusion that many of the characters in The Angel of Darkness
are afraid to make. As Pearson demonstrates, it is one we have yet to fully deal
with.
Notes:
Review first published October 25, 1997.
BACK