BLOOD RIVER: A JOURNEY TO AFRICA'S BROKEN
HEART
By Tim Butcher
One of the most ancient of all literary tropes is that of time as a river.
And so when Conrad has Marlow go up the Congo river to find Mr. Kurtz he is also
heading back into the past, toward some experience of a dark, primitive state of
nature. "Going up that river," he says, "was like travelling back
to the earliest beginnings of the world." In 2004 journalist Tim
Butcher reversed direction and went down the Congo, following the
3,000-kilomoetre route of the first European to chart its course. This was
fellow Daily Telegraph correspondent Henry Morton Stanley, whose voyage
of discovery in the 1870s opened the Congo up to a subsequent history of
unimaginably brutal colonial rule and post-independence anarchy and
exploitation.
Stanley's mission wasn't really about bringing progress and the fruits of
civilization to the Congo. And since independence even the trappings of progress
have fallen apart. Butcher's journey downriver turns into more of a Conrad-esque voyage into
the past than a vision of its future. Progress in the Congo is a concept that
has been turned on its head. Butcher has many occasions to observe how "the
normal laws of human development and advancement simply don't apply" in the
Congo, and "normal laws of development are inverted." Grandfathers
have been more exposed to modernity than their grandchildren, and babies born in
2004 are more at risk than those born in the same place fifty years ago. The
country's infrastructure - its towns, roads, railways, and power grids, almost
all of it left over from the days of Belgian rule - lies rusting and rotting and
sinking beneath the resurgent jungle like a sinking colonial Atlantis. On a
narrow jungle trail his boot hits something unnaturally hard and he scrapes a
way a layer of soil to find an underground railway:
It was a moment of horrible revelation. I felt like a Hollywood
caveman approaching a spaceship, slowly working out that it proved life existed
elsewhere in time and space. But what made it so horrible was the sense that I
had discovered evidence of a modern world that had tried - but failed - to
establish itself in the Congo. It was a complete reversal of the normal pattern
of human development. A place where a railway track had once carried trainloads
of goods and people had been reclaimed by virgin forest, where the noisy huffing
of steam engines had long since lost out to the jungle's looming silence.
It was one of the defining moments of my journey through the Congo. I
was travelling through a country with more past than future, a place where the
hands of the clock spin not forwards, but backwards.
Moments like these, layered as they are with informed historical
digressions, make Blood River an engaging and revealing travelogue. The
only false note sounded is Butcher's heroic posing. He thrills to have
"faced down the Congo, the most dangerous, chaotic, backward country in
Africa." One would have thought his adventures had taught him more
humility. Admittedly parts of his journey, especially through the eastern part
of the Congo, are dangerous. But Butcher doesn't travel Stanley's route so much
as he is transported over it like a piece of luggage by a series of professional
baggage handlers. Ironically, the closest he comes to cutting the expedition
short is when he gets bored and homesick while cooling his heels in Kisangani.
In every other respect, however, Blood River is a terrific read that
takes the reader on a fascinating voyage of discovery into the heart of the
world's bloodiest conflict since World War II and its longest ongoing human
tragedy. It is estimated that over four million have died in the Congo over the
last ten years, with another 1,200 dying daily as a direct result of the
violence and insecurity. And yet this has largely passed beneath the Western
media's radar. Which makes this book all the more necessary in helping to better
understand what is still one of the dark places of the earth.
Notes:
Review first published September 8, 2007.
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