A BOX OF MATCHES
By Nicholson Baker
Just what is Nicholson Baker’s latest novel about? Every morning the
narrator, a medical text editor named Emmett who lives with his wife, two
children, one cat and a pet duck, wakes up and lights a fire. As he sits by the
fire, he enters his observations on life into a laptop. So it is a book of
Emmett’s observations.
Observations aren’t considered thoughts or developed arguments. They are
more like impressions. Emmett seems determined to reduce things to a bare
minimum. He prefers getting up in darkness and feeling his way around the house
to simply turning on a light. It would be too easy to limit his observations of
household objects to what they look like when he can first go through the
process of identifying them by touch, taste and smell.
There are no limits to his indulgence of the mundane. Among other things,
Emmett considers the hole in his sock ("at night the edges of the hole come
alive"), the effects of yawning ("sometimes a yawn will take on a life
of its own"), the shape and texture of a roll of navel lint, the light from
the little green bulb in the smoke detector, how to squirt dishwashing liquid
from a bottle so as to avoid "the unpleasant floozling sound", how to
pick your underwear up off the floor with your toes, how to fart at night
without making a lot of noise, and how to pee in the dark without getting it all
over the seat.
There are four pages - four pages! - on how to pee in the dark.
There are several ways of explaining (or defending) a book that dwells so
lovingly on such matters. You can say that these little things really mean a
lot, and that such close attention to trivial details is part of a greater
appreciation of life. You are made to notice common things as though for the
first time and enjoy pleasures so small they are almost imaginary. "The
nice thing about putting on your glasses in the dark is that you know you could
see better if it were light, but since it is dark the glasses make no difference
at all." How true. Or take this: "I’m glad there are fifty-two weeks
in the year - it seems like the right number, and there is the interesting
incongruity with a deck of cards."
If observations like these don’t satisfy, you can go on to say that little
things really stand for something more important. For example, the fact that the
intersection of four triangles of paper at the back of an envelope creates a
raised lump may be full of significance. That lump, or "nugget," is
"something that isn’t in the envelopes but is of the envelopes."
Shades of Zen. "I would almost say," Emmett almost says, "that
there is a hint on the meaning of life there, in that revealed kernel."
Finally, the whole exercise may be justified by the quality of the writing.
Unfortunately, much of it reads like an exercise in a creative writing class
where the student is asked to make a description of someone tying their
shoelaces both accurate and interesting. Baker is a writer capable of doing
this, and much more. Emmett’s minute account of the operation of his jaw as he
chews an apple is a good example. We feel in it the charm and poetry of the
everyday. And maybe we need to be more aware of such things. But A Box of
Matches remains a little book that little is done with. It is a miniature
portrait of the fine sensibility that may inform a quiet life without ambition,
but it never makes the case for why we should care.
Notes:
Review first published February 22, 2003.
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